The stairs leading to our attic are being replaced, necessitating nearly a full week away from the studio. I’m always surprised by the hole left in my life when these forced time outs occur. Art has become a daily practice and a pre-condition for mental and spiritual health. Without access to art, I find myself at loose ends, roaming the house like a ghost and waiting for its return. Now that I have the drafting table back again, all sorts of things have been spilling from its surface.
I’ve been stockpiling small pieces for a while: some for shows I know I’ll be entering later in the year and some for the upcoming featured artist slot slated for February of 2020 at 3060 Gallery.
Two things are already completed for the Ohio Art League’s Thumb Box show which occurs every November. Thumbox is the only Art League show into which members are automatically accepted and I enter every year.
I hate to be rushed and nearly always do these ahead but this year seems particularly early. I’ve had the intuition that I’ll need the space to do other things when the deadline rolls around.
I’ve also been re-visiting images from long ago sold paintings which retain psychological resonance or are just plain easy to sell.
I’ve done at least six versions of this henna-inspired hand over the years and they always fly off the wall. The sign painters enamel I use really lends itself to fine lines and shows its strength in paintings like these. I’ve always been attracted to making things which act as a good luck charm or house blessing. It’s like praying for people you don’t even know.
“Lady With Buckeyes” is another example of an old image which has bubbled up to the surface. One of my visual preoccupations is affirming the broad range of people who make up our citizenry. This painting is a timely reminder that not all of us who belong to this land look the same. Who would even want it to be?
The other piece on the drafting table is a continuation of the naked-ladies-on-animals series. Sharon Weiss of Sharon Weiss Gallery once counseled that success in art depends on finding what works and then doing it. These ladies often sell even before the opening of a show so I’m following Sharon’s advice. I sketched it out months ago but hadn’t started due to a neuroto-doubt-attack (this is too weird, everyone’s laughing at me, people will be offended, blah, blah, blah). Now that the project is actually under weigh however, I find the whole idea delightful. Go figure.
There’s a rhythm to life and there’s a rhythm to the way art projects present and unfold. Step, pause / step, pause might feel jerky and uneven, but viewed as a whole, it’s just another way of walking.