When the impulse to do large and ambitious projects appears but ideas do not, I turn to creating small things. This has the advantage of keeping the creative motor running while waiting for inspiration to strike. It’s never a mistake to have a quantity of small, modestly priced pieces to fill out hoped-for future shows. Such things move quickly, provide a bit of cash and reaffirm that the world supports what I do. I’ve just finished two such projects begun last week.
“Hand of Fatima” is pulled from one of the 100 images I used for “Snakes & Ladders.” This hand-and-eye symbol is from the ancient Middle East but is now popular in both Islam and Judaism as a good luck charm. There is some speculation that it is connected to various goddesses of ancient Egypt and Mesopotamia but who knows about these things? I see it as a literal representation of the connecting point between human consciousness and the more general consciousness of Nature; Mother Earth placing her creative, shakti-infused hand directly against the foggy, obscuring windowpane of ordinary human perception.
The second piece to tumble from the drafting table is “Child’s Pose.” This work is basically a copy of a graphic seen in a yoga pamphlet put out by “Hinduism Today Magazine.” I changed the patterns on the rug and clothing and put the lady in white hair and braids but, other than that, the image is pretty much the same.
There is a positive joy in turning one’s hand to small things while waiting for “the big one.” I follow visual impulses without hesitation or censorship. I’m in the flow.